Showing posts with label News. Show all posts
Showing posts with label News. Show all posts
2009 Smart ForTwo Cabriolet – Click above for high-res image gallery
The Smart ForTwo isn't for shy people. Even though Smart USA has sold about 30,000 of these tiny two-seaters in the U.S., the little rollerskate attracts a lot of attention. On the road or in America's parking lots, the ForTwo is a conversation piece, and people don't hesitate to come up and talk to you. Some will tell you about the Smart they saw in Europe. Others will ask if it has the guts to make it onto the highway. Most will assume it gets great gas mileage (it doesn't). But one thing's for certain, during our week with the ForTwo, there was a 100-percent conversation rate wherever we went. Anthropophobes, be warned.
Follow the jump to see what it's like to spend wheel time with a Smart ForTwo Cabriolet.
Among the myriad of questions we received, the most common area of concern centered around how safe it is. That's a fair question, considering the bigger-is-better message we've heard for years. But when you're in the Smart, you don't question its safety, you just drive. Granted, there's a slight feeling of vulnerability on the road – particularly when caught in the wind wake of semi trucks – but thanks to a deep dashboard and a distant leading edge to the windshield, the ForTwo feels bigger than it is, and about as solid as anything else on the road the majority of the time. It's only when you stop and think about the tiny narrow box you're cruising in that things get worrisome.
Still, the ForTwo has a full compliment of airbags and other active and passive safety features, and the National Highway Traffic Safety Administration gave the ForTwo a four-star crash rating for the driver (three stars for the passenger), so it's hardly a death trap. Instead, it's a fun but flawed little ride, at home neither in the city nor on the highway.
It's easy (and maybe justifiable) to criticize the ForTwo. "It's only half a car," one friend joked, and the love-it-or-hate-it styling and size is the most obvious hurdle to ownership. But after driving the Smart ForTwo Passion cabrio in a variety of environments, the fog of novelty wears off and the truth is revealed: there's no ideal environment for this ultracompact runabout.
If you're a commuter in an urban area and only plan to use the ForTwo as a means to get to and from work, you could make a case for the Smart. And yes, the ForTwo could serve as a road trip machine – in a pinch. And yes, its eight cubic feet. of cargo space (12 if you fill it to the roof) is enough for a light grocery run – just don't put your ice cream at the bottom of the bags, because the ForTwo's adequate 70-hp, 1.0-liter three-cylinder sits between the rear wheels and quickly heats up the rear cargo area for insta-milkshakes. But as an everyday vehicle, the Smart ForTwo fails to stack up. And it begins with the transmission.
Although the ForTwo's automated manual gearbox has been "improved" from the 2008 model, it's still an unforgivable mess. There are two shifting options: a full automatic mode and a manual option that allows the driver to use either the steering wheel-mounted paddles or the floor-mounted shifter to change gears sans clutch. In automatic mode, the changes are inexcusably jerky, especially between first and second. Using the paddles allows for a slightly smoother shift when deftly manipulating the throttle, but manual shifting doesn't feel particularly useful, as it only allows you to choose when the hiccups happen and does little to alleviate the (neck) pain.
As you'd expect, this puts a serious chink in the ForTwo's urban armor. While its size is great for parking and the little car zips in and out of traffic with ease, in city driving, where the transmission is most active, the constant shifting makes low- to mid-speed maneuvers a torturous affair. While it might be possible to learn to live with the lurches, our week with the ForTwo wasn't enough – and we doubt any amount of time could dull the discomfort.
After answering the most common queries (What is it? Who makes it? Is it electric?), the next inevitable and justifiable question is about fuel economy. Again, the ForTwo has a surprisingly hard time justifying itself here. We averaged 35.7 mpg during our week with the car, just under the EPA's official 36 mpg combined rating. Initially, we left shifting duties to the ForTwo's computer-controlled tranny, resulting in a 32.7 mpg average. When we decided to stick the Smart Cab into the manual mode and use the paddle shifters, we managed 38.8 mpg. Maybe they're not so useless after all?
From the driver's seat, the ForTwo does its best imitation of a sleek, modern desk in some hipper-than-thou graphic designer's office. The top of the dash is expansive, and the designers completely nailed a chic, Euro-feel with the colors and layout. Virtually unchanged since the 2008 model, the gauges are stylish yet easy to read. The mid-mounted tachometer is a necessity in manual mode, since it's difficult to hear the engine crying for a change if the radio is on. The tachometer works better than the built-in indicator that flashes an "up" or "down" arrow below the speedometer when it's time to shift, as the LCD indicator is the same color and shape as the gear display and blends in. A separate colored icon, similar to what's found in modern VWs, would have been a better choice.
Other usability issues? While the visors provide an acceptable amount of shading through the windshield, they're practically useless when the glare comes in at anything beyond 11 and one o'clock. Rear visibility provided by the inside mirror isn't great, but works – except when the top is down. Two buttons by the shifter allow you to automatically fit or retract the Passion Cabriolet's top at any speed, eliminating any feeling of separation between the occupant and the environment. But when your enjoying the open-air experience, it's best to perform multiple checks when backing up or doing a lane change, as visibility becomes a finite resource. Thankfully, the ForTwo's squat footprint allows you to slide into spaces with a minimum of butt-puckering.
It's also easy to enjoy the Passion's standard audio system, which comes with a six-disc changer and an auxiliary jack in hidden in the glove box. The location of the input jack is great when you're on the road, as the iPod remains safely tucked away, but it's not so hot when stopping and starting. More than once, we left the player running because we forgot it was in the lockable glove box.
The sticker of our tester came in at $16,990, but the line ranges from $11,990 for the Pure Coupe to $20,990 for the BRABUS Cabriolet. Low sales in 2009 have prompted Smart USA to offer its first ever incentive for buyers, but even with a lower sticker, the ForTwo is difficult for us to recommend. Although some of its drawbacks disappear when you're enjoying the "ForTwo Experience", its abysmal transmission, general lack of utility and fuel economy that comes off as unimpressive for its size doesn't make a compelling case for the ForTwo. That is, unless you're a casual city driver who values fashion over function, or someone who really likes to meet new people.
source by autoblog
The engineers' presentation instead focused most on interior features, presumably for potential buyers with young children. Innovative features to the 2011 Odyssey will include a center dash-mounted "cool box," 15 (!) cupholders, and a bevy of interior electronic gadgetry and places to store accessories like iPods and cell phones. The Odyssey has grown in nearly all dimensions to make all three rows of seating more accommodating.
The 2011 Odyssey seems a careful evolution of the last two generations of sliding-door Odysseys -- don't forget the first Odyssey of 1994 with traditional doors. What do you think? Does the latest design strike a chord with your inner minivan fan?
Source: Honda
Reports are still somewhat sketchy, but it appears several top-performing investment bankers from an offshore investment company were rewarded with a special road trip inspired by the Cannonball Run. A road trip from New York City to Montreal was arranged, allowing participants to view the recent Canadian Grand Prix. Over 14 high-performance vehicles, including several Lamborghinis and a Mercedes-Benz SLR McLaren -- were rented from a New York company for the trip, which quickly became a high-speed road rally.
On the evening of June 11, the Vermont State Police received a call reporting a group of supercars was traveling at excessive speeds. The SLR was pulled over, but its driver somehow managed to avoid getting a citation.
Another banker wasn't so lucky. Spencer Lodge was clocked by an officer doing nearly 104 mph in a Lamborghini LP560 Spyder, and was arrested on the spot. A plea arrangement forced Lodge to pay $881 in fines and was released from police custody.
Police aren't finished, though -- authorities in Vermont say additional charges may be in the works for the other drivers. In an interview with WCAX, Lt. Bob Stebbins noted these may not be simple speeding tickets -- a number of participants may be charged criminally based upon the dangerous driving involved.
Sources: NBC Today, WCAX.com
Audi gave fans a demonstration of its electric sports car before the endurance race began as part of “Le Mans vers le futur.” Vers le futur was a demonstration run specifically for electric vehicles to showcase the future of sports cars. Five-time Le Mans winner Frank Biela was behind the wheel to put the R8 E-tron through its paces.
Audi has shown no less than two E-tron sports car concepts, a larger one at the Frankfurt auto show last year, and a second, smaller one in Detroit this year. Both concept models were based on the R8 platform. The E-tron that took to the track was based on Frankfurt’s larger, more powerful E-tron, sans fancy concept exterior.
R8 E-tron used the same powertrain setup as the E-tron shown at Frankfurt, with electric motors driving each wheel to give it Audi’s signature Quattro all-wheel-drive. In total, the motors put out 313 horsepower and 3319 pound-feet of torque, according to Audi, but we’ve shown that to be more like 252 pound-feet of torque at the crankshaft. However you look at the torque, it’s enough to propel the car to 62 mph in 4.8 seconds.
The car continues with the R8’s handling balance as the batteries are placed behind the driver where the gasoline engine would sit in a conventional R8. This gives the car a 42:58 front/rear weight balance, but the car exhibits extremely neutral handling coupled with Audi’s centrally controlled electric Quattro all-wheel-drive. Also featured was active torque vectoring, seen on the new S4’s optional rear differential, but because of the nature of the centrally controlled electric motors, it can be implemented only by using electronics on the E-tron.
We know Audi is planning a production E-tron to compete with Mercedes-Benz’s upcoming electric SLS AMG. Audi has also made no secret about turning E-tron into a corporate sub-brand similar to TDI or Quattro. The first of the E-trons is slated to go into production alongside the R8 and Lamborghini Gallardo next year.
Was the R8 E-tron taken around the Circuit de la Sarthe our first look at the production car?
Source: Audi
The venture, dubbed the Audi Sound Project, is the pet project of infotainment development engineer Peter Gleim. His goal -- to focus on wave field synthesis -- sounds like a scientist's fantasy, but is actually quite impressive. The object is to recreate a sound wave with several sources (i.e. speakers) placed closely together. Each speaker is controlled separately, so the signal can be delayed and staggered, allowing the listener to hear an exact reproduction of the original sound. Better yet, the sound is produced in an identical fashion for each seating position.
"We can simulate any wave front," Gleim said in a release. "With stereo, we can generate a sound as if the two speakers were located far outside the car. We can also add any desired spatial impression computationally -- not as a sound effect, but as a mathematically precise simulation."
Gleim's team managed to cram all 62 speakers, baffles, and amplifiers into the Q7, but its interior looks anything but normal. The ASP system includes five tweeters, five subwoofers, and 52 midrange speakers, all connected to a large power amplifier. Speakers are integrated into the dashboard, pillars, door panels -- virtually anywhere engineers could find space. Three separate PCs are needed to control both the amplifier and the entire speaker array.
"Our goal was to show what is technically feasible; to explore the limits," said Denis Credé, head of Audi's sound development. "What we are learning will be integrated into the sound systems of tomorrow. It's like with racing: A lot of what is first tried out on the race tracks of this world later shows up in modified in production vehicles. The Audi Sound Concept project is like racing for sound systems."
We imagine both packaging and cost are two major hurdles in pushing the ASC into production. On that later note, adding the 14-speaker Bang & Olufsen system in an A8 or Q7 adds roughly $6300. We suspect that figure would grow exponentially for a 62-speaker system.
We're fans of excellent sound systems, but aren't always convinced they're worth the investment. What say you -- when shopping for a car, is the sound system an important component, or do you skip that option box?
Source: Audi
Any Volkswagen nut will be happy to tell you that Italdesign founder and chief designer Giorgetto Giugiaro helped style the original Passat, Golf/Rabbit, and Scirocco, but we've delved a little further into the Italdesign archives to see how deep this relationship truly runs. We've rounded up eight great VW-Italdesign collaborations for you here -- while some are simply rolling sculpture, others have had a profound influence on Volkswagen history.
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This wasn't Italdesign's first stab at a Bugatti coupe -- but it was the first true step in creating today's incredible 16.4 Veyron.
Although Italdesign had styled a number of Bugatti concepts (including the 112, 118, and 218 sedans) while Romano Artioli owned the firm, none really impressed Volkswagen, which purchased the company in 1998. Instead of developing another large luxury sedan, VW commissioned Italdesign to craft a Bugatti supercar to succeed the EB110.
Built upon the chassis of a Lamborghini Diablo VT, the 18/3 Chiron -- unveiled at the 1999 Frankfurt Motor Show -- was an aggressive, angular beast of a supercar. Power -- all 555 horsepower -- was derived from a 6.3-liter W-18 engine, displayed to the world thanks to an exposed engine cover. The interior was remarkably basic, although it was trimmed in saddle-colored leather with blue accents.
At the time, Volkswagen officials suggested a version of the Chiron would be launched at the 1999 Tokyo Motor Show, and could potentially reach production by 2002. This time around, VW honored its word: the 16/4 Veyron concept shown in Japan was visually (if not mechanically) similar to the Veyron EB 16.4 that went into production in 2004.
source by automobi
1996 VW W12 Syncro/ Roadster
How do you showcase a wild new engine design? If you're Volkswagen, you hire Italdesign to place it within a wild new supercar concept.
By 1996, the Volkswagen group had cleverly devised a new range of W-pattern engines -- including a 5.6-liter W-12 -- for premium offerings like the Audi A8. Although engineers admitted the engine was nearly four years away from production (indeed, it wasn't offered in the A8 until 2001), CEO Ferdinand Piech wanted to display this new piece of tech at the 1997 Tokyo motor show.
Piech turned to Italdesign, commissioning a supercar built around both the W-12 and his company's Syncro all-wheel-drive system. Fabrizio Giugiaro -- Giorgetto's son -- delivered a long, wide coupe with the 420-horsepower W-12 placed behind the driver and passenger. VW dismissed the car as little more than a concept at the time, but several months later, the company showed a roadster variant at the Toyko show, and suggested a limited number -- 200 examples, perhaps -- could be built at a cost of $175,000 a pop.
That never happened, but the W12 supercar didn't fall by the wayside, either. By 2001, it re-emerged on the auto show scene -- again at the Toyko Motor Show -- but in a more powerful form. The W-12 itself was bored out to 6.0-liters, and was now capable of throwing down 600 horsepower. VW, in the meantime, promised a production run of 50 cars by 2002, each carrying a price tag of $200,000.
Those plans were also scuttled, but the six-liter W12 managed to set a 24-hour speed record in 2001. Engineers lapped the Nardo Circuit in Italy for a whole day, covering 4800 miles at an average speed of 200.6 mph.
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source by automobi
By 1996, the Volkswagen group had cleverly devised a new range of W-pattern engines -- including a 5.6-liter W-12 -- for premium offerings like the Audi A8. Although engineers admitted the engine was nearly four years away from production (indeed, it wasn't offered in the A8 until 2001), CEO Ferdinand Piech wanted to display this new piece of tech at the 1997 Tokyo motor show.
Piech turned to Italdesign, commissioning a supercar built around both the W-12 and his company's Syncro all-wheel-drive system. Fabrizio Giugiaro -- Giorgetto's son -- delivered a long, wide coupe with the 420-horsepower W-12 placed behind the driver and passenger. VW dismissed the car as little more than a concept at the time, but several months later, the company showed a roadster variant at the Toyko show, and suggested a limited number -- 200 examples, perhaps -- could be built at a cost of $175,000 a pop.
That never happened, but the W12 supercar didn't fall by the wayside, either. By 2001, it re-emerged on the auto show scene -- again at the Toyko Motor Show -- but in a more powerful form. The W-12 itself was bored out to 6.0-liters, and was now capable of throwing down 600 horsepower. VW, in the meantime, promised a production run of 50 cars by 2002, each carrying a price tag of $200,000.
Those plans were also scuttled, but the six-liter W12 managed to set a 24-hour speed record in 2001. Engineers lapped the Nardo Circuit in Italy for a whole day, covering 4800 miles at an average speed of 200.6 mph.
source by automobi
1995 Lamborghini Cala
Talk about déjà-vu. Eight years before Italdesign was hired to design the Lamborghini Gallardo, a smaller, more affordable Lamborghini, it was hired to design the Cala -- a smaller, more affordable Lamborghini.
Lamborghini's portfolio was bolstered with the 1990 launch of the Diablo, but the company had no replacement for the less-expensive Jalpa, which died in 1988. At the time, parent firm Chrysler saw no need to replace it, but that mentality shifted once the Indonesian Megatech consortium took over in 1994. A less-expensive Lamborghini -- perhaps one utilizing a V-10 -- was seen as key to introducing new customers to the brand and expanding the company's marketshare.
Megatech wasted little time -- the L140 program was launched soon after it bought the company, and early prototypes (which closely resembled Diablos) were shown to dealers that November. The public would have its first look at the car come March of 1995, when Italdesign unveiled the Cala at the 1995 Geneva motor show. Lamborghini executives hinted the car was a preview of the new "baby Lambo," and even let some journalists drive the functioning show car on the open road.
Sadly, the project never came to fruition. After the Indonesian owners ran into a number of legal, fiscal, and political troubles, Lamborghini was sold to Audi, and the Cala was shelved. Executives, however, still saw value in a smaller Lamborghini, and ultimately pushed for the addition of the Gallardo to the portfolio. A wise decision, as it's now the brand's most popular product.
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source by automobi
Lamborghini's portfolio was bolstered with the 1990 launch of the Diablo, but the company had no replacement for the less-expensive Jalpa, which died in 1988. At the time, parent firm Chrysler saw no need to replace it, but that mentality shifted once the Indonesian Megatech consortium took over in 1994. A less-expensive Lamborghini -- perhaps one utilizing a V-10 -- was seen as key to introducing new customers to the brand and expanding the company's marketshare.
Megatech wasted little time -- the L140 program was launched soon after it bought the company, and early prototypes (which closely resembled Diablos) were shown to dealers that November. The public would have its first look at the car come March of 1995, when Italdesign unveiled the Cala at the 1995 Geneva motor show. Lamborghini executives hinted the car was a preview of the new "baby Lambo," and even let some journalists drive the functioning show car on the open road.
Sadly, the project never came to fruition. After the Indonesian owners ran into a number of legal, fiscal, and political troubles, Lamborghini was sold to Audi, and the Cala was shelved. Executives, however, still saw value in a smaller Lamborghini, and ultimately pushed for the addition of the Gallardo to the portfolio. A wise decision, as it's now the brand's most popular product.
source by automobi